![]() ![]() In the viewer it will zoom in on the picture, but if you do it while in the timeline, it will zoom in on the playhead. Shift-CMD-2: go to Timeline and open IndexĪnd if you need to find a clip in the browser, instead of clicking on the search box, try these two in quick succession:Ī good example of keyboard shortcuts for manipulating the viewer is changing zoom level-a little red box appears in the viewer to indicate your zoom level.If you need to find a certain clip in your timeline, this sequence will open the timeline index and highlight the search box: The first four enable you to change the “focus” area of your commands. If you are just getting started with FCP X here are some of the top shortcuts you should know about. Pretty soon, your fingers will be flying over the keyboard. Eventually, they will become muscle memory, and then you can add a few more. Take them, play with them, and learn how they can speed up your editing. It can be overwhelming to try to remember the dozens of shortcuts available to you, so start with just a few at a time. Top Final Cut Pro shortcuts for FCPX Beginners That’s one mark of an editor who has separated themselves from the crowd. It’s important to master shortcuts so that you reach for the mouse less often.įCP X is already fast, but it is still an important discipline to identify repetitive tasks and create your own shortcuts. We’re going to highlight Final Cut Pro X in this article, but really these principles can apply to any professional NLE. ![]() Instead of thinking about the tools, your mind can focus entirely on the creative choices. They say that a state of flow is a “complete absorption in what one does, and a resulting loss in one’s sense of space and time.” I think that pretty well describes the feeling when you’ve mastered the shortcuts in your favorite NLE. Selecting, Enabling, and Disabling Clips.Master these moves to edit more fluidly, and enable your mind to think more creatively. But more importantly, you’ll learn how to chain them together into powerful sequences. We’ll start with the basics and progress to ones that you may not know. But in this article, we’re going to show you how you can transform your creative workflow with Final Cut Pro shortcuts. So whether you're in the event browser or in the timeline, there's a lot of flexibility in how you select your clips, all driven by keyboard shortcuts.Shortcuts save time, everyone knows that. This is commonly referred to as top and tail editing, and you can use this directly within Final Cut Pro X. Now, I like to encourage you guys to go forward with this third clip and try to create in and out points wherever you place your playhead, the endpoint with the option, left square bracket and the out point with the option, right square bracket. So around here is where I want to start, so I'm going to hit option, left square bracket to trim it to the playhead's position, and right around here I want to hit where she puts her stance up in the air. Let's repeat this exercise with the second clip in our timeline, so navigate close to where your second clip begins, and let's hit the L key to play forward. So I'm just going to hit the spacebar to stop, but, most importantly, note that wherever my playhead was, if I hit option, left square bracket is where it trimmed the end point to, and if I hit my option, right square bracket, it would trim the out point to that location. And I'm just watching this clip play out, and I want to trim it probably about two seconds from now, so I'm going to now hit option, left square bracket to complete the trim, and a few seconds later I'm going to hit option, right square bracket to trim the out point on this exact same clip. I'm going to now hit the L key, which we learned in an earlier exercise, except we did it in the event browser to sort of play forward. ![]() I'm just going to use my function, left arrow, or the home key on an extended keyboard to move to the beginning of the timeline. So I'm in my 5.5 keyword collection, and I've double-clicked my projects where I see, indeed, those three clips. Let's see how we can trim them on the fly. In this movie, you'll see three clips in your timeline that have no in and out points. If you don't like deciding clips' in and out ranges in the event browser, there's also a way to do this in the timeline. ![]()
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